JAZMINA CININAS

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  • ART PROJECTS
    • Printmaking: The Girlie Werewolf Project >
      • Who's who of Girlie werewolves
      • Metamorphosis in the making
    • Hand Bound Books >
      • Stories in the making
    • Lagerphones: The Sparrow Made Some Beer >
      • Lagerphones
    • Frottage & the Phoenix >
      • Forays into Frottage
    • Art making on the road: The Big Lap 2025-2026 >
      • The Big Lap: The Projects in Progress
    • Botanical Prints >
      • Testing out Tataki-Zomé
    • Performance: Press Gang >
      • Press Gang Press
  • NEWS AND EVENTS
    • Current and Forthcoming Events
    • Past News and Events
  • MEDIA
    • Reviews Articles Chapters Press
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Testing out Tataki-Zomé

Tataki zome take 1.

7/8/2026

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Following two trips to Japan in 2023 and 2024, co-leading study tours for RMIT School of Art students, I became aware of the Japanese technique of hammering flowers onto cloth to release their natural dyes, known as tataki zome. This technique seemed like a natural fit in my creative evolution towards more environmentally sustainable art practices, and also opened up the possibility of incorporating local flora into my artworks while travelling, particularly the wildflowers that filled the fields and forests of the Baltic States, without violating Australia's biosecurity laws. My first forays into the process, however, were a lot more local, utilising flowers from the streets surrounding my home in Northcote, and from my mother's garden in rural Woodleigh. 
I later learned that the paper needed to be pretreated with an alum mordant, so the colours are already beginning to fade. 
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    Jazmina Cininas

    In these blog posts, I document my experimentations printing entirely with the dyes released from flowers when they are either hammered (in Japanese tataki zomé​ style) or run through an etching press.

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