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Jazmina Cininas is represented by Australian Galleries..
Curriculum Vitae Education: 2014 PhD; The Girlie Werewolf Hall of Fame: Historical and Contemporary Figurations of the Female Werewolf, RMIT University 2002 MA, Fine Art, Printmaking; Women and Wolves: Gender in Lycanthropy, RMIT University 1995 BA Fine Art, Honours, Fine Art, Printmaking; RMIT University Selected solo exhibitions: 2024 Padarė Žvirblis Alutį, Kaunas Picture Gallery, Kaunas, Lithuania 2023 The Sparrow and the Iron Wolf, Albury Library Gallery, NSW The Phoenix and the Iron Wolf, Australian Galleries, Melbourne 2022 The Sparrow Made Some Beer, Counihan Gallery, Melbourne 2021 The Stoat and the Serpent Queen, IMPACT11 International Printmaking Conference, Hong Kong 2020 Eglė and the She-Wolves, National MK Čiurlionis Art Museum, Kaunas, Lithuania 2019 Tell Tail, Australian Galleries, Melbourne The Sparrow Made Some Beer, Artery Project Space 2018 Once Upon a Time in Estonia, EestiTrüki- ja Paberimuuseum, Tartu, Estonia 2017 Enter the Lair, Benalla Art Gallery Hell Hunt and the Slippery She Wolf, Rõdugaleriis, Eesti Trüki- ja Paberimuuseum, Tartu, Estonia What Big Teeth You Have! 2017 White Night, RMIT Gallery, Storey Hall Annex 2016 Blood Moon Rising, Port Jackson Press Where the Wolfsbane Blooms, The Art Vault, Mildura 2014 The Girlie Werewolf Hall of Fame, Maroondah Art Gallery 2012 Jazmina Cininas: Past to Present, Port Jackson Press Jazmina Cininas: Four Recent Editions, James Makin Gallery 2007 The Girlie Werewolf Project: Heretics and Hirsute Heroines, PJP Centre for Australian Printmaking 2006 The Girlie Werewolf Project: Between the wolf and the dog, Impressions on Paper , Canberra 2004 The Girlie Werewolf Project: Dingo Variation, Fremantle Arts Centre Selected group exhibitions: 2024 Ulsan International Print Festival (Australian contingent), curator: Bridget Hillebrand, Ulsan Culture and Arts Centre, South Korea 2022 The Festival of the Fantastic in Australian and Japanese Arts: Australia Week, Kanagawa University, Yokohama 2019 Von Wölfen und Menschen (Of Humans and Wolves), MARKK Museum of Ethnography, Hamburg Between the Moon and Stars, curator: Wendy Garden, Museum and Art Gallery of the Northern Territory, Darwin Lupercalia, curator: Andrew Purvis, Adelaide Central School of Art, Adelaide 2018 My Monster: Human Animal Hybrids, curator: Evelyn Tsitas, RMIT Gallery, Melbourne, Australia Pasaulio Lietuva: Kūrybos Horizontai, curators: Ilona Mažeikienė & Regina Urbonienė, Vilnius Town Hall, Lithuania 2017 Into the Wilderness, Flinders Lane Gallery Platinum, curators Richard Harding & Anne Virgo, RMIT Project Space/Spare Room Eventide, curator: Rona Green, Mornington Peninsula Regional Gallery 2016 Out of the Matrix, curator: Richard Harding. RMIT Gallery. Eventide, curator: Rona Green. Mornington Peninsula Regional Gallery Modern Myth, Counihan Gallery, Melbourne Panoply, curator: Rona Green, Metropolis Gallery, Geelong 2014 Femme Fatale: Jazmina Cininas & Lucy Hardie, Metropolis Gallery, Geelong APW Print Fair, Australian Print Workshop Seventh Skin, curator: Claire Watson, Hatch Contemporary Art Space 2013 Unveiled: Art from the Manningham, Maroondah and Whitehorse Council Collections, Whitehorse Art Space 2012 Artist as Curator, curator: Ruth Johnstone, RMIT Project Space Familiar Unfamiliar, curator: Rona Green, Scotch Oakburn College, Performing Arts Centre, Launceston, Tasmania & Tweed River Art Gallery, NSW 2011 Re-enchantment (interactive online documentary), director: Sarah Gibson, ABC online Freak of Nature, curator: Rona Green, Switchback Gallery, Gippsland Contemporary and Collectible, Metropolis Gallery, Geelong 2010 Pressing Matters, Jenny Port Gallery 52, curator: Rona Green, Geelong Gallery 2009 Second International Sanbao Printmaking Exhibition; curator: Minna Resnick, Jingdezhen Ceramic University, China Stories Of Our Making; curators: Jan Davis & Travis Paterson, University of the West of England, Bristol; Tweed River Regional Gallery I saw and heard of none like me; curator: Rona Green, c3 Contemporary Art Space 2008 Re-Visioning Australia, Curator: Ruth Johnstone, Belfast Print Workshop Gallery, Northern Ireland Who let the dogs out; curator: Merryn Gates, Lake Macquarie City Art Gallery, Hazelhurst Regional Gallery 2007 This is Not a Print Show; curators: Karen Lunn & Milan Milojevic, Plimsoll Gallery Tasmania, touring Burnie Regional Art Gallery, Wagga Wagga Art Gallery, Gippsland Art Gallery, Lake Macquarie Art Gallery 2006 The Idea of the Animal; Melbourne International Festival, curators Linda Williams & Suzanne Davies, RMIT Gallery Monsters; curator Rita Lazauskas, Albury Regional Art Gallery 2005 Grotesque: the diabolical and fantastic in art; National Gallery of Victoria International Girls, Girls, Girls: Images of Femininity from the Banyule Art Collection; Banyule Art Gallery, Bendigo Art Gallery, Mc Clelland Gallery & Sculpture Park, Benalla Art Gallery 2004 Place Made: Australian Print Workshop; National Gallery of Australia 2003 Act XII; new works on paper (signature image); Victorian Arts Centre, UTS Gallery Sydney, Artspace SA Selected public collections: National M.K. Čiurlionis Art Museum, Lithuania; Lithuanian National Museum of Art; MARKK ethnographic museum, Estonian Printing Museum, Hamburg; National Gallery of Victoria; National Gallery of Australia; Museums Victoria; Silk Cut Foundation; Mornington Peninsula Regional Gallery; Art Gallery of South Australia; City of Banyule; City of Fremantle; Artspace Mackay; City of Maroondah; Gladstone Regional Art Gallery; Customs House Gallery; Laurence Wilson Art Gallery, WA; Print Council of Australia; Broken Hill Regional Art Gallery, Australian Print Workshop, Geelong Gallery, Jingdezhen Ceramic University China; RMIT Gallery; RMIT Library Special Collection Selected residencies: 2024. Kaunas Picture Gallery (invitational), Lithuania 2017 TAiR, Estonian Printing Museum, Tartu 2016 The Art Vault, Mildura 2004 Fremantle Print Award Residency, Fremantle Art Centre 2000 A&P Galaune House, Kaunas, Lithuania Selected bibliography: "Menininkė Cininas australiškus instrumentus kuria pagal baltiškos tautosakos motyvus," LRT Television Panorama, 2024.08.27, 21:16. Duration 02:14 (30:32 - 33:18). Link. Šarunė Kutinskaitė-Būdavienė, "J. Cininas – menininkė tarp Lietuvos ir Australijos", Kauno Diena, 2024-06-15. Link. "J. Cininas darbuose - tolimų tautų tradicijos ir tvarumas", Kauno diena, 4 June 2024, Nr 108/23210, p. 22. Kortyna Lingienė (interviewer), LRT Radio Klasika: Ryto allegro, 03.06.2024, 7:05am. Duration 12:05mins (13:35 - 25:40). Link Paulina Okunytė, “Australijoje gimusi kūrėja įkvėpimo ieško lietuvių tautosakoj”, Kauno Diena: Santaka, Nr 426, 2020/03/06, p. 1 & p.p. 3-4. Agnė Taliūtė, “Būvis „tarp“: Jazminos Cininas paroda „Eglė ir vilkmergės“, Šiaurės Atėnai, 2020/04/26 Ilona Mažeikienė & Regina Urbonienė (eds.), Terra Australis Incognita: Lithuanian Artists in Australia, Lithuanian Art Museum, 2019 Wendy Garden, Between the Moon and Stars, (catalogue essay): Museum and Art Gallery of the Northern Territory, Darwin Tiina Vähi, “Hellad ja libedad naishundid linoollõigetes”, Postimees (Estonian newspaper), 21 December 2017 Andrew Harper, “Feast of Dark Marvels”, The Mercury: Tasweekend, May 2017 Sasha Grishin, "Profiles in Print - Jazmina Cininas", Craft Arts I. International, Issue 96, 2016, pp. 31-35 “Jazmina Cininas: Interview and email exchange with Ruth Johnstone”, in Ruth Johnstone (ed.) The Artist Curates, Melbourne: Australian Scholarly Press, 2015, pp. 72-78 "Studio: Jazmina Cininas", Art Guide Australia, September/October 2014, pp. 64-65 & 248. Lawrence Money: "The werewolf, the tomato and hairy girls", The Age: News, Saturday 9 August 2014, p. 20. Jazmina Cininas: "The Girlie Werewolf Hall of Fame", Imprint, Volume 49, Number 1, Autumn 2014, p.10 Mayako Murai, “The Genealogy of Wolf-Girls: Representations of Little Red Riding Hood in Contemporary Art” in Chinami Kasama (ed). Representing the Bodies of "Bad Women" and "Good Women", Seikyusha, Tokyo pp. 243-266 (Japanese text) Jeffrey B. Snyder (ed.), “Jazmina Cininas,” Printmakers Today, Pennsylvania: Schiffer Publishing, 2010, pp. 60-61 Anusha Kenny, “The enchanted forest: new gothic storytellers” (review), Artlink, Vol. 29, No. 2, 2009, p. 89 “Project: Jazmina Cininas”, Artist Profile, Issue 5, 2008, p. 98 Rebecca Cannon, “Jazmina Cininas” (interview), Artabase, December 31, 2008, http://artabase.net/public/blog Sasha Grishin, “Printmaker: Jazmina Cininas”, Australian Art Collector, Issue 43, January-March 2008, p.320 Penny Webb, “Fur and feathers in litho and lino”, The Age: Metro, Thursday November 8, 2007, p. 21 Wendy Garden, “Jazmina Cininas: A woman who runs with the wolves,” Imprint, Vol 42, No. 3, Spring 2007 Megan Backhouse, “Previews: Jazmina Cininas: The Girlie Werewolf Project: Heretics and Hirsute Heroines”, Art Guide, October 2007 Emma Kirsopp, “The Monstrous Encounter” (Masters' dissertation), School of Visual and Performing Arts, University of Tasmania, June 2007, Sarah Tutton, “The Idea of the Animal”, Art & Australia, Vol 44. No.3, Autumn 2007, p.p. 330-331 Linda Williams, “The Owl of Minerva and Recent Art”, Eyeline, No. 56: Summer 2004/2005; p.p. 30-32 |